The picture should reflect the words of the ancient poem: people are …

The picture should reflect the words of the ancient poem: people are …

Промпт / Prompt

The picture should reflect the words of the ancient poem: people are idle, osmanthus flowers are falling, the night is quiet and the spring mountains are empty. The moonrise scares the mountain birds, and they sing in the spring stream. What I need is a picture style: mountain scenery and mountain streams under the moonlit night suitable for ancient poetry. Aspect ratio: [4:3] Please generate a "poetic geometric information visual poster" based on the above text and image. This is not an ordinary antique illustration, nor a realistic landscape painting, but a high-end poster between oriental poetry, editorial design, miniature landscape installation, and information visual image. The picture should be like a poetry model that has been quietly built: the poems are not decorations attached to the side, and the scenery is not an independent scenery. They should together form a restrained, blank, orderly, and emotional visual system. Overall style: Oriental minimalism, geometric composition, poetic information board, miniature landscape, low polygon plane and three-dimensional, modern editorial design, paper texture, exhibition drawing feeling, poetry archive feeling. The picture should be quiet, restrained, and clear, not lively, not gorgeous, not like traditional Chinese illustrations, not like commercial templates. Composition requirements: The picture uses a large amount of white space, and the main subject is concentrated in the center of the picture or slightly to one side, and the whole is unfolded horizontally, like an opened roll of poetic paper. A dark or nearly black thick geometric subject can appear as the visual center of the picture. It can be like a long case, a ship's hull, a platform, a vessel, a border, a stage or a building base. Other features grow naturally from inside, around, behind, below or out of the air. Geometry language: Use black heavy platforms, round holes, semicircles, vertical pieces of paper, slender cylinders, flat blocks, steps, arc containers, thin line scales, transparent pieces of paper, and small suspended objects to organize the picture. The geometry should have a slight perspective, but not become a true 3D rendering. Keep the texture between flat illustrations and miniatures. Poetic elements: Automatically extract the most important natural images based on the poems, such as moon, wind, flowers, rain, snow, water, boats, mountains, tree shadows, branches, falling petals, clouds, fog, light, fragrance, and twilight. All natural elements must be geometricized, symbolized, and quieted. The petals can fall like pieces of paper, the wind can turn into extremely thin transparent arcs, the water surface can be like a light-colored mirror, the moon can be a low-saturated round color block, and the mountains can be translucent geometric silhouettes. Text layout: The text must become part of the structure of the picture. The main verse can be in large Chinese vertical layout and placed on the left side of the screen or in the blank area. The font should have a Song style, stele inscription, book style or modern oriental style, and cannot look like ordinary advertising words. Small labels, small notes, short sentences, scales, and numbers can be affixed to the sides of the cylinder, geometric edges, wind lines or corners of the picture, just like the annotations in exhibition drawings. The text should be few and accurate, not crowded, densely packed, or generating a large number of meaningless small words. Color requirements: The background is a warm off-white, ivory white or light gray paper surface with a very slight grainy texture. The main body uses black, near black, and ink gray as the stable center of gravity, with low saturation warm yellow, moon yellow, wood color, light beige, light peach pink, salmon pink, forest green, and mint green. The color should be gentle and have the feel of old paper, no fluorescent colors, no highly saturated gradients, no technological blue and purple, and no cyber sense. Light, shadow and texture: Shadows are soft and restrained, with sharp edges but not too sharp. The whole thing is like a miniature device built on paper, not overly realistic, not photographic 3D, not thickly applied with oil painting, and not splashed with ink. Preserve the clean feel of advanced editorial design. Characters: You can add one to three miniature character silhouettes. The characters are only used as a reference for scale and emotion. They can be standing, looking far away, walking, sitting alone, holding an umbrella, watching water, or looking at the moon. The characters cannot steal the spotlight and cannot be made into realistic characters. Picture temperament: There must be a contrast between "light and heavy". The black geometric main body is responsible for the weight, while the petals, wind lines, moonlight, small characters, and miniature figures are responsible for the lightness. The picture should be like a landscape of data, but also like a cross-section of a poem. It's quiet on the macro level and attractive in details. Avoid: Don’t make it an ordinary Chinese style illustration. Don’t make it a realistic landscape. Don’t make it a purely 3D architectural model. Don’t slap the text roughly onto the screen. Don't crowd the screen. Don't use too many decorative patterns. Don't oversaturate. Don’t use a technological UI. Don’t be cartoonish. Do not spill ink over a large area. Don’t let the geometric architecture overwhelm the poetry. Final output: Generate a 4:3 horizontal composition, advanced editorial design, 8K ultra-high definition, suitable for PPT covers, self-media covers, poetry visual posters, report inner pages or brand card visuals.

Тип / Type: фото / photo

Автор / Author: Kurator

Теги / Tags: природа, 3D