Please generate a "Gatsby style / 1920s Art Deco style" super high-de…

Промпт / Prompt

Please generate a "Gatsby style / 1920s Art Deco style" ultra-high-budget wedding photo based on the clear life photos of two adults uploaded by the user. Please strictly keep the true identity characteristics of the two people, including face shape, proportion of facial features, eyes, nose, lips, skin color, age, hairline, basic hairstyle and overall temperament. The generated results must clearly appear to be the same real couple/new couple. They cannot become strangers, cannot be overly European and American, cannot be Internet celebrities, and cannot have obvious fake AI faces. Please only use the uploaded photos as a reference for character identity, and do not retain the background, clothing, poses, lighting and scenes in the original life photos. Please regenerate a brand new wedding photo. The overall style is not an ordinary luxury wedding photo, but: 1920s Gatsby bridal editorial, Art Deco luxury vintage wedding blockbusters, movie-level sets, magazine-level finished films, interior scenes with Gothic arch windows, old Hollywood glamor, mystery, nobility, drama, exquisiteness, and ultra-high budget. Overall, it looks like a high-concept plan from a top wedding studio, rather than an ordinary photo studio style. Please reconstruct the scene style around the reference picture: Tall European/Gothic arches and arched windows, strong window light, classical wooden tables and chairs, retro candlesticks, books, gauze, partial smoke, crystal chandeliers, a small amount of antique decoration, and dark wooden floors. The space should have a sense of depth and stage, but not become an overly complex palace or modern mansion. The scene is refined, restrained, and unified. Bridal styling is key: Please make sure to look like a 1920s Gatsby bride. The wedding dress is a couture sequined slim-fitting gown in champagne gold, silver gold or pearl champagne color, with fine beading, beaded texture, slender fishtail or straight line silhouette, with dramatic gauze curtain, gauze train, exaggerated organza sleeves or tiered sleeves. Jewelry includes pearl necklaces, dangling earrings, forehead ornaments / vintage headwear / feather headpiece / jeweled headband, etc. The overall look is exquisite and expensive. If the user originally has long hair, please do not directly retain the modern long hair loose effect. Please create a retro look closer to the 1920s while retaining your own identity: - faux bob fake bob - pinned bob / tucked long hair - finger waves finger push ripples - sculpted side-parted waves - Low buns or curls, the length is visually compressed into the silhouette of 1920s short hair - Enhance the Gatsby feel with retro forehead ornaments, feathers, and jewelry hair accessories If the user has short hair, it should also have a more definite 1920s finger-push ripple/bob texture. No modern day long curls or regular shoulder length hair. Groom’s look: Black, very dark charcoal black or midnight blue couture dress/tuxedo, white shirt, black bow tie or formal bow tie, brooch details are restrained and high-end. The overall appearance is upright, calm and noble, with the temperament of an old money and old Hollywood actor. Light and shadow are the core of the entire set of pictures. Please strictly refer to the example pictures: The main light source must be strong backlight or side backlight from the arch window, forming visible beams, outline light and dramatic contrast between light and dark; the auxiliary light comes from candlelight and ambient warm light, which is only a partial supplement; there can be a small amount of haze/smoke to make the light more layered. The overall lighting should be film-level high-contrast, not uniform flat light, ordinary mansion soft light, or strange white highlights. Some lenses allow slight controllable lens flare, but it must be reasonable, restrained, come from real bright light, and not random glare. Please enhance the real photography texture: Real skin texture, moderate softening but no plastic skin grinding; real dress weight, gauze texture, jewelry reflection and candlelight details; no 3D rendering, no over-sharpening, fake CG, or game modeling. The overall look should be like wedding photos taken in a real studio and physical scene. Please pay special attention to the natural and realistic proportions of the character's face and body. Both people must maintain true adult proportions, with head size, shoulder width, neck length, arm length, hand size, body contact and perspective relationships all being naturally coordinated. Do not have a face that is too big, a head that is too small, a neck that is too long, body distortion, wrong fingers, limb fusion, splicing or mold-wearing problems. Please especially strengthen the interaction and sense of relationship between two people, don't just stand next to each other. There must be a clear flow of emotions between two people: - Attract - Attachment - guard -Tacit understanding - Dramatic romance - With a sense of oath and destiny It can be expressed through hugging from behind, pausing while looking at each other, interacting at the table, approaching under the veil, watching in a misplaced position, gently supporting the waist, covering hands with hands, etc. Don’t stand side by side and look at the camera in every shot. Please avoid repeating the entire set of shots: - Full body, half body, close-up, close-up - Single or double available - There are front, half, side and offset - There are quiet gazes, close pauses, interactions, and story scenes - Don’t make every picture look like a template variation Negative constraints: No ordinary mansion wedding style, no modern internet celebrity wedding photos, no uniform light, no modern shawl with long curly hair, no ordinary princess dress, no cheap studio look, no plastic skin, no AI synthetic splicing of figures, no weird glare, no cluttered background. 8 shots Prompt 01｜The opening of the gauze curtain, the main visual of the whole body Take a photo of the bride’s whole body and main visual wedding dress. The bride stands between the tall arch and the arched window, with strong window light behind her, forming a sacred and dramatic backlight. A large number of transparent gauze swept from the foreground and sides, as if gently lifted by the wind, wrapping the bride in translucent layers of light and shadow. The bride is wearing a champagne gold fine sequined high-definition slim-fitting wedding dress. The skirt is slender, and the tail and gauze drape naturally hang down. One hand is raised to touch the gauze curtain lightly, and the other hand is naturally lowered. Key points: The bride had to be in decidedly 1920s Gatsby bride style. Even if the user originally has long hair, they should use faux bob / finger waves / pinned bob to create a retro short hair outline, and match it with jewelry, dangle earrings, and pearl necklaces. Emotions: Noble, calm and confident, like a heroine coming out of a ball in the old days. Look down at the camera or slightly look past the camera. Don’t smile sweetly. Light and shadow: Strong backlighting, light smoke, transparent gauze curtains, and distinct depths create a strong overall cinematic feel. 02｜The groom hugs from behind, the bride is in front, main relationship picture Take a wedding photo shoot from half to 3/4 length. The bride stands in front, the groom hugs her from behind, and his hands naturally fall on her waist or near her arms. The bride puts her hands lightly on her chest or covers the groom's hands. The bride looks towards the camera, her eyes calm, noble and determined, like the center of this story; the groom lowers his head to look at the bride, his expression gentle, focused and protective. Key points: Two people must have interactive tension, not simply stand together. The groom's presence should seem to protect and surround her, while the bride's state should be that of being cherished and gazed upon. Physical contact should be natural and proportions should be realistic. Shape and light: The bride still wears a clear Gatsby tiara with a retro hairstyle, and the dress has clear sequin details; the groom wears a black haute couture tuxedo. The warm backlight from the arch window shines in from the rear, and there can be a small beam of reasonable lens flare on the right side, which is partially supplemented by candlelight and ambient warm light. The whole thing looks more like a movie still than an ordinary studio photo. 03｜Looking sideways, stopping at the most tense second Take a wedding photo of two people facing each other from the side. The bride and groom stand face to face, very close to each other, staying at the moment when they are about to get closer, but do not actually kiss. The bride has a delicate profile and clear shoulders and back. The groom looks down at her with calm and focused eyes. There is a strong but restrained attraction between the two people, like a pause before a vow. Key points: Don't laugh, don't stand side by side. The focus is on the tension in the quiet gaze. The eyes of two people must communicate, not empty or stiff. Light and shadow: The background is darker, and there is a cold outline backlight or blue-gray smoke behind the arch. The edges of the characters are outlined, and the foreground tables, chairs, or candlesticks can be slightly reflected in the mirror. The overall look is more cinematic, with low saturation and high contrast. 04｜The bride is sitting at the table, single main image Take a photo of the bride sitting alone. The bride sat at a long retro dark table with a tall arch window behind her. There were candlesticks, thick books, glassware, a few jewelry accessories and gauze on the table. The bride wore a champagne gold sequined slim-fitting wedding dress with exaggerated organza sleeves stacked around her arms and a slender skirt. She sits slightly sideways, with one hand naturally supporting the tabletop, and the other hand gently resting on her knee or holding vintage accessories. Her head is slightly raised, and her eyes are calm, noble, and slightly oppressive. Key points: Brides still need to have a 1920s retro hairstyle, not modern long hair. The whole image should look like a hero shot from the inside of a high-budget wedding magazine. Light and shadow: Arch window backlight + candlelight warm fill light + local smoke. The picture should have dark parts, not flat light. The tablescape and dress texture must be exquisite. 05｜The bride in the foreground, the groom watching in the background, a misplaced narrative Take a wedding photo of two people in a misaligned composition. The bride, sitting or leaning against the table, is the main focus of the picture. She lowered her head slightly or looked into the distance, her mood was quiet and thoughtful, like some kind of emotional pause before entering the wedding. The groom stands near the arched window at the back, slightly blurred or weakened, but still clearly visible, as if he is watching her quietly. The two people do not look at each other directly, but there is an obvious spatial relationship and emotional connection. Key points: Don’t make it a normal couple photo. This picture should have a sense of drama, with the bride as the visual center and the groom as a silent and affectionate presence. The foreground and background levels must be clear. Light and shadow: The main light falls on the bride, and the light from the rear window highlights the outline of the groom. The details of candlesticks, books, gauze curtains, and tabletops should be rich but not complicated. The overall feel is quiet, restrained, and cinematic. 06｜Close-up of the bride’s jewelry Take a close-up movie shot of the bride. The camera focuses on the bride's half face, shoulders and neck, retro forehead ornaments, earrings and exquisite retro accessories in her hands, such as metal decorations, jewelry face decorations, and classical small accessories. The bride turns her head slightly, half sideways or looks back, her eyes are quiet and deep, her lips are complete, and her makeup is mature and noble. The candlelight in the background is blurred into a soft warm light spot. Key points: This one has to have a strong emphasis on Gatsby style details. Headwear, finger-push ripples/fake bobs, pearl necklaces, and earrings must be clear and credible. The face cannot be AI-heavy, and the skin cannot be plastic. High-budget close-ups that look like real shots, not CG details. Light and shadow: Warm candlelight forms local highlights from the side and back, with soft but directional light on the face, shallow depth of field, and the overall look is very cinematic. 07｜Tableside interaction, the sense of ritual on the eve of the wedding Take an interactive wedding photo of two people. The bride stands or leans on one side of the long retro table, lowering her head to organize the papers, quills, jewelry or small wedding objects on the table; the groom stands on the opposite side of the table or to the side of the table, gently participating in this interaction, such as handing her a small object, helping her light a candle, or watching her quietly. Two people are in the same scene and have a very natural interaction. They are not taking photos in a standard position. Key points: This picture should have a "wedding ceremony eve" atmosphere. The interaction between two people must be natural, like a captured moment in a movie. The bride remains the visual focus, and the groom exists as companion and guardian. Light and shadow: The window light is dominant, the candlelight is the local ambient light, and the details of the tabletop and props are clear. The whole thing has a sense of classical ritual and narrative. 08｜Intimate binding picture under the veil Take a photo of two people wearing cinched wedding dresses. The bride and groom stand at the table or in front of an arched window, with a long veil or veil hanging from their heads, wrapping them in the same translucent space. The groom gently holds the bride's waist or back with one hand, and the bride places one hand on the groom's chest. The foreheads of the two people are close to each other, or the groom gently touches the forehead of the bride, staying at the most emotionally tense moment without actually kissing. The bride looks at the groom or lowers his eyes, and the groom looks at her lightly or closes his eyes lightly. The whole thing is extremely intimate but restrained. Key points: This is not a "kissing photo" but a "pause before vows." There must be a strong sense of interaction and relationship between two people. The foreground of the gauze, candlelight, and tabletop details all serve this emotion. Light and shadow: The whole scene is dark. The backlight outside the window and the candlelight shape the scene together. The gauze is translucent and shiny in the light. The picture is sacred, noble and dramatic, like the final shot of the whole series.

Тип / Type: фото / photo

Автор / Author: Kurator

Теги / Tags: журнальный, 3D