👹 Монстр загородил свет

👹 Монстр загородил свет

Промпт / Prompt

SOURCE INPUTS: @image1 - appearance reference for the main heroine. Preserve her facial features, age, hair, skin tone and proportions. Do not carry over the background, clothing or other people from the photo. MAIN SCENE: A 15-second mini-film, "DON'T BOTHER ME, I'M FILMING." A young woman is recording herself on a smartphone in a dimly lit living room. A tall, toothy monster appears behind her and blocks the light of the floor lamp. Instead of screaming, she says: "You're blocking my light." The monster obediently steps aside, adjusts the lamp, then leans in over her shoulder, trying to get into the shot. The first 6 seconds are serious horror. After the line - dry situational humor. The monster remains frightening: only its behavior becomes funny. GENERAL PARAMETERS: Duration: 15 seconds. Horizontal 16:9 format in all shots. Style: photorealistic cinema, live-action aesthetic, natural textures, realistic light and shadows. The monster looks like a living non-human creature in a real room - not an actor in a mask, not a rubber suit, not a cartoon, not a video game model. Camera: three edited shots, restrained movements, no shake and no orbiting moves. The woman's clothing: a dusty-pink oversized hoodie and sweatpants of the same shade. Dialogue: English language, natural voice, lip sync. The only line: "You're blocking my light." No captions, subtitles, interface elements, logos or watermarks. THE MONSTER - "TOO TALL": An abnormally tall, thin bipedal creature, taller than the doorway. Narrow shoulders, elongated torso, long limbs, two arms with natural joints and hands. A faded black coat of heavy matte fabric. To pass through the door it lowers its head and bends its back. The face is narrow, elongated, distinctly non-human. Hairless head, protruding cheekbones, sunken cheeks. Ash-gray skin with pores, fine creases and uneven tone, with no plastic sheen. The eyes are oblong, stretched horizontally, set deep beneath the brow ridges. Narrow eyelids, dark sunken eye sockets. Inside, dark eyes are visible with a wet glint from the lamp. No glow and no empty sockets. The key feature: the entire visible lower row of teeth consists of long sharp teeth protruding upward and outward in front of the upper lip. Not two fangs and not tusks, but a full row of separate pointed teeth of varying length, slightly curved, the color of old ivory. The lower jaw is pushed slightly forward and is wider than the upper jaw in the area of the tooth row. With the mouth almost closed, the lower teeth pass outside the upper jaw without piercing the lips or cheeks. They are located only in the mouth area and do not cover the nose or eyes. The upper teeth are almost hidden. The mouth is almost closed at all times; the lower teeth are always visible. The monster does not smile, does not open its mouth, does not speak and does not growl. The face and the arrangement of the teeth never change. At first its movements are menacing and slow. After the remark - a brief moment of confusion, a glance at the lamp, and an obedient action. No comedic facial expressions: the humor is conveyed through pause and posture. LOCATION MAP: One small living room in the evening. The woman sits on the edge of a gray sofa. In front of her, at eye level, is a smartphone mounted horizontally on an ordinary stable tripod. The screen and front camera face the woman. The phone is recording the whole time; the woman never touches it. Behind the sofa is an open door leading into a dark hallway. To the side of the sofa, roughly in line with its front edge, stands a switched-on floor lamp with a swiveling shade and a short adjustment handle at the back. The warm light is aimed diagonally at the woman's face. From the other side - a faint cool fill that keeps her face readable in shadow. A passage is left between the floor lamp and the side edge of the sofa. The monster enters from the hallway and approaches the sofa from the side, ending up between the woman and the lamp. Its body blocks the light. The floor lamp is within reach of its arm. For the main frontal angle, the woman is slightly left of center, the monster and the floor lamp are on the right. Furniture placement and screen sides are consistent across shots. TIMELINE - 15 SECONDS: [00:00-00:03] - SOMEONE IN THE DOORWAY Shot 1: medium angle slightly to the side of the smartphone. Its edge is visible in the foreground; the door is behind the woman's shoulder. The woman calmly poses for the recording, slightly changing the tilt of her head. Both hands rest on her knees. The monster's black torso appears in the doorway. Then it lowers its head beneath the door lintel and enters. It is so tall that it has to stoop. The woman has not noticed it yet. [00:03-00:06] - A SHADOW ON HER FACE Continuation of Shot 1, a smooth slight push-in. The monster takes two slow steps and stops beside the woman, between her and the floor lamp. Its shoulder blocks the light; a distinct shadow passes across the woman's face. She notices the figure in the smartphone's preview, stops posing and frowns slightly. Do not show the screen separately. The monster tilts its head toward her without touching her. Tension reaches its peak: the viewer expects an attack. [00:06-00:09] - THE REMARK Cut to Shot 2: medium side angle. In frame: the woman's face, the monster's face and the floor lamp. The woman calmly turns her head toward the creature. She does not scream or recoil. With everyday, mundane irritation she says: "You're blocking my light." A brief pause. The monster freezes and shifts its gaze to the floor lamp. Its face is motionless, the mouth almost closed, the lower teeth protruding outward. [00:09-00:12] - THE HELPER Continuation of Shot 2. The monster takes one step out of the beam of light. The woman's face is lit by warm light again. With the hand nearest the floor lamp, it grasps the adjustment handle at the back of the shade, angles the shade slightly toward the woman, lets go and lowers its hand. The other arm stays down the entire time. One simple motion, with no re-gripping and no intertwining of fingers. The lamp does not move from its spot and does not flicker. The woman returns her gaze to the smartphone and continues posing. [00:12-00:15] - IT WANTS TO BE IN THE SHOT TOO Cut to Shot 3: the image from the smartphone's front camera, full screen. A static horizontal 16:9 frame, with no interface and no phone bezel. Do not mirror the room layout. The woman is shown from the chest up, slightly left of center. To the right, behind her shoulder - the monster's black coat; its head is still above the frame. The monster bends its knees and carefully leans into the empty space on the right. Its narrow face, with sunken oblong eyes and long protruding lower teeth, appears next to the woman's head, slightly behind her. It does not cover her face and does not touch her. It looks into the lens seriously, awkwardly trying to fit into the frame. Its hands remain below the edge of the image. The monster does not shrink - it only crouches and leans. The woman glances briefly at the preview, gives a barely perceptible smirk with the corner of her lips, and returns her gaze to the lens. For the last half-second both look into the camera, motionless. Hard cut at the 15-second mark, no fade-out. SOUND: 00:00-00:03 - quiet room tone, the rustle of the coat, a low ominous drone. 00:03-00:06 - two muffled footsteps, the ominous drone building. 00:06-00:09 - as the woman turns, the drone cuts off abruptly. In the silence, spoken once: "You're blocking my light." Then an awkward pause. 00:09-00:12 - a footstep, the quiet creak of the shade's hinge, room tone. 00:12-00:15 - the rustle of the coat, calm silence. No comedic sound effects. CONSISTENCY CONTROL: - One woman and one monster, no other characters. - The woman's appearance matches @image1; the pink outfit never changes. - The monster's face, eyes, teeth, height and coat do not change. - One smartphone, mounted horizontally on an upright tripod. - The floor lamp is on at all times; the darkening is caused by the monster's body. - Two arms for each character, no extra hands or fingers. - The monster does not touch the woman; their bodies do not intersect. - One line, spoken only by the woman and only once. - No attack, blood, injuries, transformations or teleportation. - Three edited shots, a single 16:9 format, total duration 15 seconds.

Модель / Model: Seedance

Тип / Type: видео / video

Автор / Author: Mila Mi

Категории / Categories: Арт и иллюстрация

Теги / Tags: арт, девушка

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